
Making and Printing with Collagraph Plates
Image above by Karin Eberhardt Ages 15+ Collagraph plates are used in printmaking to combine texture and color together to generate an image that can be easily combined with other
Image above by Karin Eberhardt Ages 15+ Collagraph plates are used in printmaking to combine texture and color together to generate an image that can be easily combined with other
The most direct of the intaglio printing techniques, using a sharp needle, Drypoint requires scratching into a plastic plate to achieve the desired etched design. Participants will learn the fundamentals
Gelatin plates offer a spontaneous and fun way to generate multi-layered, textural prints. The soft surface of the gelatin plate is ideal for playing with color, templates, mark making and
Collagraph plates are used in printmaking to combine texture and color together to generate an image that can be easily combined with other print making techniques, stand on its own
Karin Eberhardt and Karin Otto have been working in the Kennedy Press (at Waterfall Arts) all year long–will exhibit their work as part of the Maine Craft Apprentice Program.
Many effects can be achieved in monotypes that are not possible with any other printing technique. In gelatin monoprinting a jelly-like material (homemade or store bought) is used as the printing plate. The soft surface of the gelatin plate is ideal for capturing fine details. Participants will play with color, templates, and mark making to build a layers of imagery to produce one of a kind artwork.
Many effects can be achieved in monotypes that are not possible with any other printing technique. In gelatin monoprinting a jelly-like material (homemade or store bought) is used as the printing plate. The soft surface of the gelatin plate is ideal for capturing fine details. Participants will play with color, templates, and mark making to build a layers of imagery to produce one of a kind artwork.
Watercolor monoprinting allows you to duplicate an image or reference painting while having your watercolor look like a print. Students will use watercolors paints in leu of printing inks, a non traditional approach to printmaking, offering an opportunity for experimentation for all levels.
Many effects can be achieved in monotypes that are not possible with any other printing technique. In gelatin monoprinting a jelly-like material (homemade or store bought) is used as the
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